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“連接、交流、可持續(xù)——這是設(shè)計(jì)美學(xué)展始終秉持的核心價(jià)值。為了賦予這些原則以形式和意義,Luce e design 設(shè)計(jì)美學(xué)展Ⅲ將從藝術(shù)和自然中汲取靈感,在開(kāi)放與封閉之間建立起緊密的平衡,并以光線將一切與遙遠(yuǎn)的宇宙能量連接起來(lái)?!?/span>
——Jean-Jacques Lanzo
"Connection, Exchange and Sustainability are the core values of the Design Aesthetics Exhibition. To give shape and meaning to those principles, Luce e design Design Aesthetics Exhibition Ⅲ has drawn from art and nature to establish structures and spaces in the tight balance between openness and enclosure, with light connecting everything to the distant energy of the cosmic world."
—Jean-Jacques Lanzo
你可曾記得踏入展區(qū)那一瞬的悸動(dòng)?古希臘人深信,聯(lián)結(jié)是萬(wàn)物的紐帶,交流是靈魂的回響,而恒續(xù)則是自然亙古的韻律。赫西俄德在《神譜》中低吟:“萬(wàn)象皆有其序,光影交錯(cuò),天地相銜?!眱汕в噍d后的這個(gè)六月,在廣州,我們以光為筆,以空間為卷,重新鋪陳了這部關(guān)于聯(lián)結(jié)、對(duì)話與永續(xù)的視覺(jué)詩(shī)篇。而你,既是這首長(zhǎng)詩(shī)的讀者,亦是其作者。Do you recall that moment of quiet awe when you first stepped into the space The ancient Greeks believed that connection was the sinew of all things, exchange the resonance of the soul, and sustainability the eternal pulse of nature. As Hesiod sang in his Theogony: “All things have their order—light and darkness alternate, heaven and earth are interwoven.” More than two millennia later, this June in Guangzhou, we took up light as our instrument and space as our canvas, and rewrote that ancient visual epic of connection, exchange, and endurance. And you—you were not merely a reader of that poem; you were its co-author.
“我想用雕塑的形式讓空間變得不同?!薄聿榈隆と?/span>
若你曾駐足于理查德·塞拉那巨碩的鋼板之前,你必記得那種奇異的感覺(jué)——被鋼鐵環(huán)抱,卻又仿佛行走在風(fēng)的余韻之中。此刻,我們將那份體驗(yàn)移植入展館的肌理之中。"I attempt to use sculptural form to make space distinct." — Richard Serra
If you have ever stood before the monumental steel forms of Richard Serra, you will recall that singular sensation—enclosed by iron, yet moving as though within the lingering trace of wind. This time, we have transplanted that very experience into the fabric of the exhibition hall.那些從地表緩緩抬升的弧形壁面,并非單純的隔斷,而是大地深處涌動(dòng)而出的力量。它們向心聚攏,又朝四方延展,如一雙徐徐張開(kāi)的巨掌。你穿行其間,每一步都在重新校準(zhǔn)你與作品、與空間、與他者的關(guān)聯(lián)。并非你在凝視展覽,而是展覽在凝視你;并非你在行走,而是地表在引導(dǎo)你的步伐——誠(chéng)如塞拉所言,空間,由此變得迥異。Those curved planes rising gently from the ground are not mere partitions, but forces welling up from the earth’s core. They converge inward, yet open outward, like two colossal hands slowly unfurling. As you pass between them, each step reconfigures your relationship with the work, with the space, and with the other. It is not you who observes the exhibition; it is the exhibition that observes you. It is not you who walks; it is the ground that guides your path. And as Serra declared, space is thereby rendered distinct.
在弧線交匯的至點(diǎn),我們?cè)鹨蛔讽敗?/span>
它并不高懸于上,而就在你的身畔——一處敞亮的、溫潤(rùn)的、歸屬于所有來(lái)者的棲聚之所。它隱喻著自然,隱喻著人類與大地最原初的依偎。但若你今歲親臨,便會(huì)察覺(jué):穹頂已然消逝。它只余下弧形壁面上數(shù)道切口,恍若風(fēng)的足跡,又似光陰的吻痕。
At the apex where the curves converge, we once raised a dome.
It was not suspended on high, but stood beside you—an open, luminous sanctuary belonging to all who entered. It embodied nature, the most primordial embrace between humankind and the earth. Yet if you visited this year, you would have noticed: the dome is no longer present. All that remains are a few incisions on the curved walls—like the imprint of wind, like the trace of a kiss left by time.
穹頂去往何方?我們未曾將它拆除——它選擇了自行隱退,以此昭示:自然并非不朽,蔭庇亦非理所當(dāng)然。那些切口,并非殘缺,而是記憶的銘文,是自然留予空間的沉吟。Where did the dome vanish We did not dismantle it. It chose to withdraw—to remind us that nature is not eternal, and that shelter is not ours by right. Those incisions are not absences; they are inscriptions of memory, the murmur that nature has left behind for the space.
穹頂隱沒(méi)之后,空間并未淪為虛無(wú)。恰恰相反,它愈發(fā)靜謐了。
弧形壁面上的那些切口,將光線引入——恍若從大地罅隙間滲出的初光。展品被安放于壁龕式的結(jié)構(gòu)之內(nèi),深邃、肅穆,彌散著地下教堂般的莊重氣息。你立于其間,呼吸不自覺(jué)放緩。光不再是單純的照徹,它在輕撫每一件器物,亦在輕撫你。
After the dome withdrew, the space did not lapse into emptiness. On the contrary, it grew only more serene.
Through the incisions in the curved walls, light seeps inward—like primordial rays emerging from fissures in the earth. The exhibits are cradled within alcove-like structures, deep and solemn, exuding the quiet dignity of a subterranean cathedral. Standing there, you find your breath slowing of its own accord. Light no longer merely illuminates; it caresses each object, and in turn, it caresses you.
而后,你仰起頭。
結(jié)構(gòu)的頂端,蘊(yùn)藏著一顆光之核心。它不在他處,恰在你頭頂不遠(yuǎn)處——近得足以讓你感知它的溫度,遠(yuǎn)得又足以將你與星系相連。燈光在流轉(zhuǎn),并非閃爍,而是吐納——明與暗交織,暖與冷交替,恍若一顆遙遠(yuǎn)的恒星在完成一次寂靜的搏動(dòng)。那一瞬,你不再追問(wèn)“這是何種燈具”,你只會(huì)頓悟:“原來(lái),我正佇立于宇宙之中?!?/span>
And then, you lift your gaze.
At the summit of the structure rests a core of light. It dwells nowhere else but just above you—close enough for you to feel its warmth, yet distant enough to bind you to the galaxies. The light does not flicker; it breathes—oscillating between brightness and shadow, warmth and coolness, like a distant star completing a solitary pulse. In that instant, you cease to ask, “What kind of lamp is this” You simply realize: “So this is what it means to stand within the cosmos.”
展區(qū)四面洞開(kāi),無(wú)門無(wú)墻,唯有你隨心所欲的路徑。
左側(cè)是展覽場(chǎng)域,右側(cè)是藝術(shù)廊道,前方是論壇區(qū)域,回身則是一隅可供靜坐的角落。中央立著一株綠植,雖不巍峨,你卻總愿繞它徘徊數(shù)周——因?yàn)槊恳淮无D(zhuǎn)身,光的姿態(tài)都已悄然變幻,空間的敘事亦隨之更迭。你并非預(yù)設(shè)的觀眾,而是此間空間的共謀者。
The pavilion stands open on every side—no doors, no walls, only the paths you choose to follow.
To your left, an exhibition space; to your right, an artistic corridor; ahead, the forum; and should you turn, a quiet alcove for repose. At the center stands a green plant—unassuming in stature, yet you will find yourself circling it again and again. For with each turn, the light shifts, and the story the space tells transforms anew. You are not a preordained spectator; you are an accomplice in the making of this place.
若你今年未能抵達(dá)廣州,無(wú)妨——光依舊在,故事依舊在。那些弧面、切口、光核與綠植,并非僅是展區(qū)的構(gòu)件,它們是我們留給未來(lái)的信箋。愿下一次,你能親臨其間,讓那些弧面托舉你,讓那束光尋覓到你。
畢竟,真正動(dòng)人的空間,從不只為“參觀”而生——它等待被“經(jīng)歷”。
If you could not make your way to Guangzhou this year, it matters little—the light endures, and the story awaits. Those planes, incisions, the core of light, and the central tree are not mere architectural elements; they are letters we have left for the future. May you step into their midst next time, let those curved planes bear you up, and allow that beam of light to find you.
For a space of true resonance is never conceived merely to be “visited.” It is meant to be lived.
你未曾親至,但光不曾離去You May Not Have Come, But the Light Has Not Departed
項(xiàng)目信息
項(xiàng)目名稱|廣州國(guó)際照明展覽會(huì)-設(shè)計(jì)美學(xué)展Ⅲ:穹頂之下—光之能量場(chǎng)
展覽時(shí)間|2026年6月9日至12日
展覽地點(diǎn)|中國(guó)進(jìn)出口商品交易會(huì)展館B區(qū)10.1館(廣州)
項(xiàng)目主辦方|廣州光亞法蘭克福展覽有限公司
聯(lián)合主辦|Luce e design
策展設(shè)計(jì)|Jean-Jacques Lanzo
展陳搭建|廣州嘉牧展覽策劃有限公司
項(xiàng)目推廣|楽品牌策略機(jī)構(gòu)
PROJECT INFORMATION
Project Name|Guangzhou International Lighting Exhibition – Design Aesthetics Exhibition Ⅲ: The Celestial Alcoves — Light Energy
Project Date|9—12 June, 2026
Venue|Hall 10.1, Zone B, China Import and Export Fair Complex (Guangzhou)
Project Host|Guangzhou Guangya Messe Frankfurt Co., Ltd.
Co-organizer|Luce e design
Curator|Jean-Jacques Lanzo、
Exhibition Construction|Guangzhou Jiamu Exhibition Planning Co., Ltd.
Project Promotion|Le Brand Strategy Agency/ /
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